1. Paris, Texas 2. Brothers 3. Nothing Out There 4. Cancion Mixteca - Harry Dean Stanton 5. No Safety Zone 6. Houston In Two Seconds 7. She`s Leaving The Bank 8. On The Couch 9. I Knew These People - Harry Dean Stanton And Nastassja Kinski 10. Dark Was The Night
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Paris, Texas is probably Wim Wenders' most well known, critically acclaimed, and successful movie, winning a number of international prizes including the Cannes Palme D'Or for Best Film in 1984.
This unusual road movie, with screenplay by acclaimed playwright Sam Shepard, tells the tale of Travis, a man lost in his own private hell. Presumed dead for four years, he reappears from the desert on the Mexico border, world-weary and an amnesiac. He traces his brother Walt who is bringing up Hunter, his seven-year-old son, his ex-wife Jane having abandoned him at Walt's door several years before.
As virtual strangers, Hunter and Travis begin to build a wary friendship and conspire to find Jane and bring her back to be a real family.
With extraordinary performances from Harry Dean Stanton as Travis and Natassja Kinski as Jane, the film also boasts a soundtrack by Ry Cooder, ideally suited to the film's sun-bleached landscapes and melancholy undertones.
Daniel Johnston - Casper Deluxx Folk Implosion - Daddy Never Understood Folk Implosion - Jenny's Theme Folk Implosion - Simean Groove Daniel Johnston - Casper, the Friendly Ghost Folk Implosion - Natural One Sebadoh - Spoiled Folk Implosion - Crash Folk Implosion - Wet Stuff Lo Down - Mad Fright Night Folk Implosion - Raise the Bells Slint - Good Morning Captain
INFO
Given his endless roster of side projects in addition to his main gig, Sebadoh, it would seem Lou Barlow just can't get enough of himself. But as the king of lo-fi, it's Lou's job to be a compulsive releaser of material. In committing so much to tape, Barlow gives us an intimate view of a songwriter in all his moods and various states of polish. Barlow appears on 9 of 13 cuts on the soundtrack of the much-discussed film Kids, mainly as part of a duo with John Davis called Folk Implosion. While there's a spare Sebadoh oldie ("Spoiled") and an angry punk exorcism from the four-man Deluxx Folk Implosion ("Daddy Never Understood"), mostly we hear Barlow in mellow dance mode with the groove-based Implosion. Over trancelike mechanical beats and synth effects that verge on ambient at times, Barlow delivers vocals in as plain and funky a style as a nerdy white boy can. It's a shame that songs like "Natural One" and "Wet Stuff" barely appear in the film; they create a perfect backdrop for Kids' confused adolescents.