01. Trip Trap 02. La Goma y la Comba 03. Liar's Test 04. Shrimpy comes. Paul Laughs 05. Butter Coin 06. Super Dandyzm 07. Parque Mágico 08. Bikes and Rice 09. Birdssing 10. mmm 11. Whale
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Infecciones de ritmo y melodía disfuncional tocadas de forma convulsa, vertiginosa y vibrante. Volteretas noise y gargantas al rojo, nervios de alambre, cuchillas y óxido, pellizcos y espasmos. Agitación. Grandes por derecho.
01. Episode 1-The Ascension Of The Anti-Christ [0:09] 02. Chromed Smoke [1:50] 03. Episode 2-The Emperor Smokes Crack [0:09] 04. Spunk [1:27] 05. Episode 3-Revenge Of Those Who Cannot Be Named [0:09] 06. Space Monkey Theme [1:03] 07. Episode 4-The New Coke [0:09] 08. Squat Thrust [1:26] 09. Episode 5-My Left Wing Is Broken [0:10] 10. Darby Rides Again [1:02] 11. Episode 6-It's A Sacrifice...not A Suicide [0:12] 12. Vicodin Shuffle [1:38] 13. Episode 7-The G.o.p. Will Set Me Free [0:09] 14. March Of The Fuckers [1:03] 15. Episode 8-The Second Coming (Part 1) [0:09] 16. Felony [1:15] 17. Episode 9-The Second Coming (Part 2) [0:09] 18. Hirohata [1:35] 19. Episode 10-The Cleansing [0:09] 20. Socialisms Inevitable Failure [1:19] 21. Book It Sucka (Bonus Animation Track) [1:07] 22. Repeating Mistakes [1:07] 23. Surf With Satan [1:11] 24. Cowboy Exorcist [1:04] 25. Gristle [1:15] 26.Hippy Death Fudge [1:12] 27. it Hit (Featuring Craig Finn) [2:51] 28. Infestation Of Buffalo (Featuring David Yow) [1:34] 29. Hirohata Anime Tv Series Theme (Featuring Grant Hart) [2:21] 30. Spunk (Featuring Jon Spencer) [1:33]
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Knives, Space Monkeys and Noise. “A Purge Of Dissidents” is an odd one. A collaboration between fine-artist Dalek and HAZE XXL (Tom Hazelmyer), former muckity-muck of the infamous 90's underground noise terrorists Amphetamine Reptile Records. Both players delve into new creative turf with this project, which combines eye-bending animation and a soundtrack that is the antithesis of typical new age art-house fodder. Dalek (aka James Marshall) got his start as an NYC graffiti artist, and has spent the past decade filling gallery walls worldwide. (One of those galleries has been Minneapolis arts-collective/gallery space OX-OP not coincidentally run by HAZE XXL.) Hazelmyer earned his chops through the 80'/90's as guitarist/songwriter for Halo Of Flies, more known for their influential blistering assault than for instrumental soundscapes. Working as a team, this joint venture culminated in 10 animation pieces that debuted in Paris as part of an installation at Galleries Magda Danysz.
“A Purge of Dissidents” animation was intentionally kept stilted and 2 dimensional in the spirit of Dalek’s fine art work; yet with a clean, ultra-tight precision that belies his internship under Takashi Murakami. For those not familiar with Dalek, his three books of collected work show a precision influenced by the computer graphic explosion, yet by performing these feats by hand, Dalek brings a level of craft long missing from the post modern abstract drivel still haunting most accepted art circles.
To insure that the music for “A Purge of Dissidents” (APOD) was anything but the usual sterile avant garde soundtracks that typically accompany most films offered in the fine art world, Hazelmyer enlisted a cadre of underground movers and shakers that included such folks as The Melvins, Grant Hart (Husker Du), and Kenny Greenbaum (of Detroit's infamous Princess Dragon Mouth/Mog Stunt Team 555) to create some twisted aural backdrops that are as disturbed as Dalek’s infamous Space Monkey itself. Though solidly experimental, the soundtrack is still connected to a spine of rock 'n roll. Granted, it draws more from the Pere Ubu/Chrome/post-punk end of the spectrum than the standard 4/4 rock world; with a nod to Raymond Scott snuck in at moments as well.
Though the APOD concept was intended for and has been shown in Gallery installations worldwide, it has also culminated in a Book/DVD/CD package. The three parts are intertwined far more than most projects to date. It is not simply a CD with extravagant packaging, nor a book with some bonus materials, but a project in which the sum is greater than the parts. In addition to the Book/DVD/CD release on Ipecac, HAZE XXL took some of the 30 finished instrumentals, and had various friends put their own spin on them by including vocals. Craig Finn (Hold Steady), David Yow (Jesus Lizard/Scratch Acid), Jon Spencer (Blues Explosion), and Grant Hart (Husker Du) all turned in vocal performances that spun this material into wholly new turf.
01. Lazarus [6:27] 02. Death by horses [4:55] 03. New war [5:24] 04. Devil's flower [5:18] 05. Thin the herd [4:06] 06. Norpo [5:40] 07. Black shake [7:29] 08. Queen of the world [4:11] 09. Silent tongue [12:23] 10. Black lung [4:45]
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Though often counted among the bands associated with the so-called underground stoner rock scene, the U.S. CHRISTMAS influences span much further than that that scene’s foundations in 70’s hard rock or 80’s heavy metal, delving into psychedelia, space rock, experimental and beyond. Fusing their influences, USC developed a sludgy, feedback loud and heavy rock sound that helped them take up a very specific place among so-called modern avant-underground movement.
Salt The Wound is the third album in the band’s discography and the first officially pressed release. It is comprised of some of the selected, rerecorded, and rearranged songs from their first two albums, Prayer Meeting and Bad Heart Bull, plus three live tracks of which two songs do not have studio-version analogues yet. Seven studio tracks for many remain the high point of USC as extreme downer acid-psych-space rock. Finding a perfectly steady balance of trapping crunchy rhythms, strung-out guitar riffage at the core of molten swirling and bubbling synthesizer lava, and echo-drenched vocalization obscurity, they managed to create a uniquely defining work. It’s a great introduction to the band for those brave enough to withstand the assault!